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Jimmy Webb


sterling

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To me, the pre-Army Elvis was superior to anything he ever did afterwards (ditto Johnny Cash and his Sun period). The early Elvis was the whole package...all he needed was minimal backing instrumentation (Scotty, Bill, DJ) and slightly rearranged old blues or bluegrass songs.

While I really enjoy all of his recordings, I agree with the comments about his later need to be able to latch onto the best songs available....and he also needed the best arrangements, backing singers, etc. I also agree that the movie soundtrack stuff is totally killer....BUT, to me, it doesn't get any better than Sun and early RCA Elvis...Just my 2 cents...

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The Memphis sessions certainly proved that given the incentive, Elvis still had it. Even during the last few years of Elvis's recording life, he could still pull a 'rabbit out of the hat': His last album "Moody Blue" had a great version of Chuck Berry's "Promised Land", and the

wonderful "Way Down."

Marv

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I think Marvin hit the nail on the head with the incentive comment....I think it was very difficult to get Elvis fired up and passionate about his music in the late 60's through the 70's. (Hell, it was probably hard to get him fired up about anything except eating and drugs, I'm guessing...) Colonel Parker never seemed to gave a rat's ass about the quality of his music, provided the records sold. I saw one of his mid-70's Vegas shows, and it was almost a parody of Elvis....it seemed like he was just going through the motions at that point. There's no doubt that he could still bring it if fired up....but getting the fire started was likely a chore and a half...

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For sure. This was a guy in alot of pain. I imagine that his personal and career failures really ate away at him. And , by all accounts,he didnt have the emotional capacity to positively deal with his failures and demons. I would lump the Colonel Parker "control/dependency" issues in there as a main influence. I think that's the beauty of 68-69, in retrospect, is that all the great stuff was accomplished, regardless of Parkers influence, which tended towards schlock and the banal. While there are a handful of great songs on the film soundtracks, the majority are rubbish and even laughable. In my mind I think of

56-58 and 68-69 as two wonderful Elvis periods, each equally powerful and , in totality, demonstrated his great versatility as an entertainer.

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Right on Raspberrywine and JohnO. Put Elvis back with DJ Fontana, Scotty Moore and Bill Black, and you had the heart of rock and roll, the genesis of what we listen to today, and someone who deserved to be called the "King."

Now to bring things back to the thread topic, did Elvis ever record any of Jimmy Webb's songs?

Marv

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I meant "Hartford", nut "Hartofrd" above.....

To get back off track, one more comment about Elvis' movie music. IMO, just as in the case of the rest of his career, I believe the soundtracks for his earliest movies were by and large excellent ("Love Me Tender", "Jaihouse Rock", "Loving You"), and the later ones ("Speedway", etc.) mostly trash. The middle ones were hit & miss.....

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JohnO you're right about Hartford writing

"Gentle."

Elvis' 1960's movies had a bunch of forgettable tunes, but then there were some that stood out, at least for me. Off the top of my head, here's a list of 1960's movie songs that I liked:

1. Return to Sender

2. Viva Las Vegas

3. Kissin' Cousins

4. Flaming Star

5. GI Blues

6. Can't Help Falling In Love

7. Rock-A-Hula Baby

8. Follow That Dream

9. King of the Whole Wide World

10.Bossa Nova Baby

Marv

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Now Marv, that Elvis list isnt all stand outs @! "Rock a hula Baby", Bossa Nova Baby?? Also I think "GI Blues" is the first recorded indication that Elvis is about to sell out. I.e., Ive turned in my rock n roll shoes and am safe now America.Still, you list some very good ones. What was that tune, "Pocketful of..." from one of the films? Pretty nice tune.

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I know that in terms of the brilliance of the lyric-the credit goes to Mac Davis.But man the cycle of birth and hopelessness and birth and hopelessness again and again in the inner city-has never been better expressed in pop music than in the last verse of "In The Ghetto".When Elvis intones in that deep baritone-"On a cold and grey Chicago morn' ANOTHER little baby child is born....and his mama cries".Read any city newspaper.That was such a poignant way to touch so many people through a popular medium.Impressive even 30+ years later.-Ira.

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