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I Wanna Hear It From Your Lips


loodog

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Everybody's a critic! That's okay, even *horses* can be critics:

I recall a story about the final rehearsals before the opening of an opera when Sir Thomas Beecham became disgusted: singers didn't know their lines, the orchestra wasn't playing their best and several performers were criticizing the entire production. Beecham had to agree that production was going very poorly. During the rehearsal of a crucial scene, one of the live horses they were using stopped and left a substantial pile of manure in the middle of the stage. Beecham stopped conducting and announced,

"Ladies and gentlemen, not only is this horse a fine actor, but he's also an *excellent* critic!

smile --D

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Hey Darlene, I have noticed that EC seems to be your idol and you protect him like he was the holy grail. He's just a man with a great talent for music as a composer and interpreter...but he does not have a halo, nor wings....as for the critics writing something better, you got me there...I cannot write music worth Sh*t...if I could I would have stayed in the profession...I just do not have that gift.

Now, Marvin...that's another issue...he can write pretty good tunes...maybe we'll hear his stuff one day.

bahooey (love the new moniker)

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Bahoo, I Wanna Hear It From Your Lips is not a ripoff of anything. I hope I don't have to go back into my diatribe about there not being endless possibilities in twelve tone Western music!

Umm.....I rather like the song, as I've said...but Dar, it DOES sound a LOT like "Fire" by the Pointer Sisters...
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Quote:
Hey Darlene, I have noticed that EC seems to be your idol and you protect him like he was the holy grail. He's just a man with a great talent for music as a composer and interpreter...but he does not have a halo, nor wings....
I thought it was like a lioness defending a 12 ounce rib steak! I think we've been here before.

(Can you say, "Bahoo-deja vu?")

Honestly, I don't "defend" Eric. Nobody *has* to. He stands "all by himself" on his own amazing talent and success.

Quote:
I cannot write music worth Sh*t...if I could I would have stayed in the profession...I just do not have that gift.
I'm sure you have a lot of songwriting talent and should have "stayed in the profession." Writing is definitely NOT easy. That's why I have six or seven songs I've loved/hated for the last five years and won't share them with many people. I feel like *I* can't write, either. I know what I want to say, but can't seem to get it down just the way I want to. That's a *special* kind of gift, way beyond songwriting, that Eric has.

That's my point--Eric writes so well, he doesn't need defending from anybody. I wish I could be he for 24 hours--I'd transform my songs into something great and "put them out there."

No offense meant, none taken, Bahoo. Don't adopt the new moniker. I like your name better. wink

smile --Darlene

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TOMMY, There is *no* bad blood in this thread--just a couple of people rehashing an old echo of banter. No nastiness at all. (You should have been around the FIRST time! eekhaha

I love Bahoo (and Marvin)--we're just having a friendly discussion. Different opinions--that's what makes a horse race. Sorry, John. I'll stop mentioning horses!

PS--I like horses too! happy

smile --Darlene

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I liked IWHIFYL, and just the fact the loodog is looking for it so passionately goes to show you that there are songs for every taste. I didn't really care for Hey Deanie, but I would take the royalties Shaun Cassidy produced for Eric. You never know what might turn a buck and IWHIFYL could have been the next teen sensation hit. Who knows? I think that song had that kind of potential and might have worked out better as a copyright paycheck.

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I haven't heard it in a long time and as I try to hear it in my head each time I do "Fire" by the Pointer Sisters comes out instead. Although I do not remember thinking that back in the day. You don't believe me? Try it yourself. (this challenge only goes out to people like myself who have not heard the song in a few years. Challenge not valid to those who play Eric 24/7.

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Darlene, I'm glad you clarified your friendly fire with Baho. While you were writing that, I was writing a "get-off-Darlene's-back" post (not that you need any defending... ). But for those of us who didn't know the Dar-Bah history, it did seem, like TomTunes said, nasty....

"I Wanna Hear It..."? I like it. It's a solid "B" in my book. Not an "A+" like "Boats" or "IWBWY" or many others, but not a "C" or "D" either....

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Hey Darlene, I have noticed that EC seems to be your idol and you protect him like he was the holy grail. He's just a man with a great talent for music as a composer and interpreter...but he does not have a halo, nor wings....as for the critics writing something better, you got me there...I cannot write music worth Sh*t...if I could I would have stayed in the profession...I just do not have that gift.

Now, Marvin...that's another issue...he can write pretty good tunes...maybe we'll hear his stuff one day.

bahooey (love the new moniker)

I'd love to hear Marvin's lyrics put to Eric's music. Perhaps Eric doesn't have to look too far for his new lyricist with Marvin Matthews hanging in his own back yard. Judging by the writing I've seen by Marvin and the one set of Marvin lyrics ("You and I") I've had access to he could find a worse lyricist and often has.
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Sure, it sounds a lot like Springsteen's "Fire" (first recorded in a studio by Robert Gordon & Link Wray, BTW....later, the Pointer Sisters)....but remember, Eric's "borrowed" from lots of sources in the past (Todd R's "Couldn't I Just Tell You" for "I Wanna Be With You", the Beach Boys' "I Can Hear Music" for "Sunrise", Rachmaninoff for "All By Myself" and "Never Gonna Fall In Love Again", among others), so why is this so surprising? Personally, I'm closer to agreeing with BadfingerBarb's post than anyone else's....although I do like that album better than "Change Of Heart".

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This sure *is* deja-vu. It's like last year never happened. Granted, some of you guys weren't around for the first one, but if you click on the search button that's under "post a poll" here, and type in "The Eric Influence Game" or some such thing, you may well find "the first time."

Board membership has grown so vastly since then, most of the regular posters may not even have been on the board at that time. Not to mention that in the meantime, Raspberries reunited, gave 10 OUT OF THIS WORLD concerts and a VH1-Classic appearance with a new arrangement, and things have been "poppin'"!

In short, EVERY musician has "quoted" and developed ideas by his/her idols, and classical composers have been doing it for hundreds of years, even quoting THEMSELVES! Add to that the limited chord choices (that make sense!) the 12 tone system gives, and *something* is always going to sound like something *else*!

Can we put this to bed now?

I couldn't agree more with Bernie's A+ songs. And IWHIFYL gets an A+ in my book, too.

smile --Darlene

PS Now you're all filled in.

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"Change of Heart" has more high marks than the Geffen album ("Hey Deanie, Desperate Fools", "Heaven Can Wait", and the fantastic "Someday"). It suffers from bad arrangements and the disco sound in other places. I'd love to hear a slow piano version of the title track as I'm sure it would blow away whats on the LP. It's a good song but the recording is a horrible arrangement. The Geffen album has one great song in "I'm Through with Love" and the rest is fairly mediocre at best. I like "American As Apple Pie" but it's sabataged somewhat by the '80s sound (cringe). "Maybe My Baby" is a tad too catchy for my tastes. The rest of the tunes just aren't particularly memorable, much like "Winter Dreams".

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Darlene - Yes, I know....there have probably been more borrowings from the Raspberries and Eric than vice versa....I was just responding to the claim that he ripped off Springsteen. It wasn't that uncommon (and still isn't)....at least Eric has openly admitted in interviews about most of his borrowings.

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My problem with "Change Of Heart", and why it's my least favorite EC album is....you could put Barry Gibbs' voice on at least half of the songs, changing nothing else, and it would sound just like BeeGees late 70's/disco period tunes. I remember reading that this LP was his attempt to consciously go after a hit single that sounded current for the time. Myabe the highs are higher than on the GEffen EC, but I also feel that the lows were lower...but that's just my opinion.

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