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Ever Wonder?


MAM

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I remember reading an interview where one of the Berries said that they re-recorded the entire first album because it just didn't sound like them. It's got me wondering if the track listing was the same, if the arrangments were different, etc. Just how bad did it sound?

Anybody got anymore info on that? Bernie?

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If that's true, Mike, (and I would definitely agree that it is), then Eric is the worst critic he could ever have. He has very high standards, but like most perfectionists, he holds himself to those that are humanly *impossible.* I do it, too, and it's not fun to be so perfectionistic.

The real eye-opener for me was when he said he always hated his voice. Wow, that is the only statement of his I've ever heard that is so way-out-in-left-field, that I can't believe he said it. His voice has the most has the most luminous timbre and richest variety of tone colors I've ever heard.

I wish that he could "switch off" his "violently" critical side. Like most perfectionists, his *worst* effort would surpass everyone else's *best.*

The danger of extreme perfectionism is that it hangs up one's progress and literally paralyzes the perfectionist into not producing. I know, because I've experienced it. I'm trying to become less perfectionistic, but it's difficult. I find that when I "relax" my standards and put something out there whether I think it's ready or not, everyone still thinks it's amazing. This confuses me, because I always think it could have been better, but therein lies my problem. If I wait until *I* think I'm ready to put it out there, I never do it.

I'm now forcing myself to "just do it" whether I'm ready or not, and not "overanalyze," and I'm finding that I *was* ready but didn't know it.

Musicians and other self-critics out there should read "The Inner Game of Music" by Barry Green. It's 99% mental and only 1% physical technique/reality!

smile --Darlene

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Darlene wrote:

The real eye-opener for me was when he said he always hated his voice. Wow, that is the only statement of his I've ever heard that is so way-out-in-left-field, that I can't believe he said it. His voice has the most has the most luminous timbre and richest variety of tone colors I've ever heard.

Darlene I couldn't agree with you more. I love Eric's voice. When I listen to music I listen to the voices first, then the music. Eric is a master at both. I totally enjoy listening to his voice, It's brilliant! It's a gift Eric.

June happy

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One of my photography mentors, Monte Zucker (truly one of the greats in portraits)has a saying, "TFP". Yeh, you need the light right, the head tilted right, etc... but sometimes you just need to "TFP"... Take the Friggin' Picture! It may not be "perfect", but without it you got nothin.

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I heard Eric was a big fan of Don Henley's Raspy voice thing. I think he tried to take some of the smoothness out of his voice. Just my recollection of something I read somewhere. I think he thinks his voice is too pretty. I understand where you're coming from on the perfectionist thing Darlene. My wife has been trying to get me to put together a CD of originals that I have written but I can't seem to "finalize" anything.

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I remember reading in Ken Sharp's book one of them saying "We recorded the whole album over again because it was so sterile."

And yes, those are absolutely horns in the outro of IWBWY. You can hear them during all the chorus repeats at the end if you listen carefully enough. Saxes up the yin-yang. There's even a horn arrangement credit on the back cover--and I don't think it's referring solely to that piccolo "Bach trumpet" on "I Reach For the Light." Uh-uh. Plenty of horns in there.

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